Wednesday, February 27, 2013

The Best Boyfriend I Never Dated


Never underestimate the joy in dating someone who doesn't speak English.  Especially if you don't speak their language very well.  You rely on gestures, mostly speak in the present tense, intonation becomes musical and when referring to complicated concepts you try to choose definitions as if you were looking up a word in a children's dictionary.  You opt for simple, direct and the desire for clarity.  As if just to be understood is the goal more than hoping to be thought of as smart and witty.  And really isn't this more important in matters of the heart? 

I would argue some of the best practice I have had with my own heart has not been with the men I've dated, but boyfriends I never even tried dating.  I am lucky that I have had some great male role models.  My brother, who once took me to school as his show and tell, placed me on top of a chair and asked me questions in front of his second grade class.  My father has been the one person I will call from a locked bathroom from any location, in any existential state.  Recently my closest best non-dating boyfriend and I play a game called first text rodeo, where we see who can send hellos to each other the earliest.  Every morning.  Every morning I am lucky to be reminded that even though I am not married, I still love men.

My first non-dating boyfriend, Art Chiaravalli, hails from a family that comes from the same Italian village as Ovid.  Italian heritage with poetic sensibilities with a soul all Motown is a good way to describe Art, who was born in East Lansing, Michigan.  But let's get something straight from the beginning: Art and I never kissed.  But what we did do was--wrote music for our band called Beige is the Color of Love circa 1995, fed homeless people in our dorm room in bitter Ann Arbor winters, wrote letters to each other when you used stamps, made a series of movies based on our childhood fantasies, crashed fraternity parties by slipping in Beastie Boys and danced to Ill Communication as if we were waltzing.  We never once considered we weren't in love.  But we never even considered kissing.  Seriously, Art was the best boyfriend I never dated.

I am hoping most of you have an Art in your lives--someone you once met at tennis camp, young and awkward, where you a tween spent more time staring at the stronger more athletic types playing soccer between the fence while you and Art volleyed a tennis ball--making each other laugh so hard you had to stop.  Too shy at the end of the week to exchange phone numbers or addresses, you escaped the awkward good-bye by running away to your respective mini-vans.  Years later, you found yourself in a college poetry class and the kid across from you wearing an East Lansing High School tennis sweatshirt looked slightly familiar.  Weeks passed and both of you waiting outside Professor Goldstein's office, when you finally introduced yourself, "Hey, I'm Emily. I think we're in Poetry 210 together?" Suddenly, you both saw who each other really was--no longer short haired gamine in all black and the other no longer small chested, argumentative with constant open book syndrome, but somehow in each of you, the pre-teen surfaced.  You were just Art and Emily.  For the rest of your college career, you were simply this each other, really young and really in love.

Sure, you might be wondering if I ever searched for Art.  The early years post-college I was in Europe and Art was in religion.  We wrote letters a bit, but we faded away, time passed and recently, I did look Art up.  Thanks to the google I found him, his wife and their six children in middle of Michigan where Art teaches high school English and loves it.  When reading about his life and family on his school's website, I felt so proud, so happy.  Really, if I were to try to explain this to someone in Swedish, I would gesture with my hands around my heart showing it grew, I would smile broadly while nodding, I would say so happy for good friend.  And I would mean it.

Sometimes we want our hearts to be a linear story.  No, truth be known, many times I want my heart to be linear as if sadness and heartache could be cashed in for happiness and love when we find it.  Our hearts are just some cards we keep shuffling, keep gambling away on hope and luck.  But like my boy friend I am currently not dating whose arms are covered in tattoos told me while I was crying in a park late last summer, "Regret....regret Emily?" while rolling up his sleeves to point out an almost nude inked nurse holding a needle in her hand, "this is regret, Emily. This is what regret looks like."  Did I tell you who much I adore him?

And really, it's the practice of loving what we cannot have or hold which I feel prepares us for knowing how to finally keep love.  The homeless dog you find, but later the owners come to claim, the boy you sit next to on an airplane who tells you about his love of the clarinet, the pilot who gives you a ride through a snowstorm in a rented Buick, the skinny boy in graduate school whose father is a plumber and teaches you more about line breaks than anyone else and who eats plate after plate of enchiladas you made, dropping his fork he puts both palms up to the sky and claims your food from some God. These are the men you lean into.  These are also the men you let go because they are not yours to have, not yours to keep.  You don't date them.  Not because you don't love them, but because you learn about love from them.  And you also learn how to let them go.  And maybe it is the letting go that allows you to see them, really see them as they are as men in themselves and not in reflection of you. 

This poem is the first poem I ever published.  I wrote this poem in honor for another boy I never dated, Stevie Flowers.  He's in the Art category of awkward turned awe-inspiring.  I heard through friends that Stevie is a pilot, has a family and I would imagine be someone who would drive a young girl safely home in a snow storm.  So if you have any Arts or Stevies in your lives, give them thanks.  Take them to a movie.  Bake them cookies.  For the ones who send you hellos from the other side of town are as important to your silver lining, as the ones you want to roll over next to day after day.  And thankfully, the best boyfriends never dated help you learn how to rewrite your own playbook of a heart when you don't want to even pick up a pen.

Enjoy.

In the Public Garden

Every gym class, Stevie Flowers pissed
his corduroys. He hated dodge ball,
stood in the corner or hid
from the bigger boys who broke
anything or anyone small.

He read Make Way For Ducklings,
sat on his knees with Buddha’s
slow smile. I knew even then
he would be the one who loved me.

I still remember the metallic
taste of the bat that summer
we played softball. He cupped my face
while my nose bled, told me later 
he’d tape my glasses.

But later it was others who stood
outside my window, holding
a book of Yeats, fly open
with a half drunk grin.
It’s always a simple request
at first.

In the Boston Commons, I pause
at the ducklings in bronze, still
like the boy who read to me.
Somewhere there’s a man
I’d never think to run from.



Thursday, February 7, 2013

Rivers Cannot Run Frozen

Ice-fishing is in my blood.  Sure, I won't claim to be a savant at it and frankly, I am not even sure if one can call it a sport--basically it has a skill set of sitting, staring into a holed-watery darkness and forgetting about wind while exposed to bitter temperatures.  And what keeps you there? The simple hope a sleepy pike will surface on your baited-iced metal hook.  Regardless if it is a true sport or not, I do know this--ice fishing is not for the faint at heart.  And speaking of hearts, ice fishing represents everything I believe about love, a mix of slow-baited calculated luck with the capacity to believe in what you cannot always see.

My father and I would ice fish in mid-February when the ice would turn cerulean blue. We would talk about the ice of December and January as if we knew the temptations of first freezes. Early ice would draw us in, perfectly smooth and begging to be ice-skated on and explored under a fat-full moon shining deep into the bottom of School Lake.  Even as a kid, I knew that kind of ice was risky, that kind of quick perfection easily breaks.  The sort of love that comes up on you so fast and glossy, you forget about any sense of danger.  The kind of love that can leave you on a street in a foreign country, outside a tram with no ticket, so you find yourself walking all the way back, home.  Trying to forget the perfect French he spoke.

And even late March and early April ice has risks as well.  The kind of ice that has been layered, broken, reformed and then layered again and what remains is only white. A shade of white for so long you have forgotten about the color green.  When you live where you can ice fish, you likely live where winter lasts for more than half a year, long enough for one to only faintly remember the taste of a fresh cherry, a summered peach.  Late winter ice is different in risks, but still not ideal.  Sure, it has had more time to build, or endure but the cracks run deeper.  The way love that has been broken for too long cannot hold, bad habits formed into patterns make it so much harder to re-build, the risks so much greater to take.  Need I give an example, or how about two words? bitter break-up. Or one, divorce.

And perhaps the worst sort of ice of all is aptly called, winterkill.  Winterkill occurs during especially long, harsh winters.  Fish will die in late winter, but may not be noticed until a month after the ice leaves the lake because the dead fish are temporarily preserved by the cold water.  Fish will actually suffocate from lack of dissolved oxygen and float to the surface under a thin layer of ice.  The kind of love that goes deep into your skin, beyond your rational mind and further into your murky kept soul.  That kind of love that you surface from months later wondering where you have been and found outstretched in your bed sideways.  Mouth open and breathless.  You awake in the dark of night wondering what parts of yourself you have compromised, gave up on and maybe even froze?  The kind of love some people don't ever really recover from.  Love that only leaves loss.

But February ice when winter is still fresh in our cheeks and more light slowly begins and ends our days is the ideal month for ice fishing.  A great time for love.  For someone like myself who finds herself attracted to men born above the 45th parallel, I need a man who loves winter.  Winter is a time to be outside bundled, active in snow and exposed to all that can remind us of being more animal than mind.

Plus, ice fishing is about dressing warm and being practical, no one really has stylish outfits for the "sport", unless you think dressing in a full-bodied Carhartt is sexy.  (Personally, my dad always looked like a teddy bear, which is endearing for sure.)  You sit on white buckets, use tools that look and sound more Inuit than anything, auger and gaff, and more time is spent waiting and being still than being crafty and calculated.  And, you have no idea if the fish are even there.  You have to just wait. You have to have enough hope in something that you cannot even see or even know if it will arrive.

So really, aren't those better tips for finding love than dressing yourself up and crafting yourself into someone you're not? Calculating risks and putting yourself to the whims of okcupid.com, POF.com (plenty of fish) for the logarithms of love? (True story, a good friend of mine recently went ice fishing with her boyfriend and came back engaged.)  Don't under estimate the romance in the sport.

I must admit, it has been too long since I have been ice-fishing.  Perhaps I am too shy to ask anyone to go with me.  Maybe I am just out of practice.  But this past weekend, I went with two couples skate skiing and while driving up to Seeley Lake, I caught a glimpse of some ice fisherman on an early morning Sunday, already seated by their tip-ups and waiting with faces in the morning sun.  Later after skiing, we went to a bar named Trixie's in a town called Ovando.  I thought I had fallen in love, with Montana yet again.  Late bright sun coming through the bar's windows, fries on a plate, elk on the walls and Merle Haggard on the jukebox.  Ms. Pac-man in the corner wasn't even dusty, the whiskey with ginger tasted just cold enough and the overweight dog smiling for scrapes inside leaned into my legs.

It was the kind of place you find close to a frozen lake for ice fishing.  A bar that serves good food and appears run down just enough, potentially forgotten and not locatable on anyone's i-phone.  Which seems like the best kind of place to think about love.  To think about no matter how run down, how much wintering your heart has had or been exposed to, you have to believe in what you cannot see.  Believe that bar in the middle of nowhere by a frozen lake full of pike is just where you need to be. Just where you need to be to believe in love, after love.

Enjoy.



Tits and Fish                                                                                                           

I envy the leaves, anything that dies
with the shade of vermillion on its skin.
The color of shorts you swim in
every summer at Pelican lake, the lake

rusting rocks and lichen. You scramble up
granite, naked enough, your toes clutched
to the edge before you release and fall, a half flap
in your weightlessness. The weight I used to feel

on me as we lay on my wood floor,
our lips hooked in the early hours of a day
we never wished to rise. Our bodies, flat
and floatless under water, nestled like large mouth

bass in tire shade and weed bed. We’d sleep
out the heat, hide until caddis hatch circled
and surfaced, to mate and leave, full enough
of each other to die. You wait for these flies

at dusk to know where the bronzeback
will bite in the early morning, alone in your metal boated
Minnesota, the state I see as holed
from an airplane. Minnesota is just a word

that sinks in my mouth and sits stale like alewive
belly up in a bucket. I remember you forgot
to put the minnows in water
and the father yelled “tits up” at breakfast.

But each dawn, I am under you
in water, my mouth wide and hiding
in shade. I am the stillness in morning
you search for, diving, without breathing.